Eliza Turner

I recently had the pleasure of watching the 2010 film Black Death directed by Christopher Smith. I went in only expecting a typical medieval adventure type of movie. The opening narration (something I usually dislike a movie to open with) grabbed my attention and actually drew me in. I knew that there was going to be more to the film than I thought. Its official description reads: “Set during the time of the first outbreak of bubonic plague in England, a young monk is tasked with learning the truth about reports of people being brought back to life in a small village.” Do not be fooled by the vagueness of this; Black Death is much more than that. I was reminded very much of a newer version of Ingmar Bergman’s The Seventh Seal. It most certainly is not a remake, just a movie in a similar vein. Black Death saves most of its philosophical problems for the ending, but it hints of the culmination throughout as the plot unfolds. Flawless acting coupled with striking and believa

The Necronomicon, the accursed grimoire written in haste by the Mad Arab Abdul Alhazred has thrilled readers of H. P. Lovecraft for over eighty years. It is mentioned in movies, books and video games and has become a pop culture icon even to people who have never heard of Lovecraft. Naturally, many people ask the same question after their first exposure to the book: “Is it real?” This leads us to the purpose of this blog. We will cover the myths that have crept up around the book and examine them point by point in search of evidence of a real Necronomicon. Let’s begin with the author himself, the Mad Arab. Any Arabic speaker can tell you right off that “Abdul Alhazred,” while sounding very Arabic, is not a proper Arabic name. It is gibberish and nothing more. Lovecraft invented the name when he was five years old after reading 1001 Arabian Nights. He admits to this in a letter to Harry O. Fischer written in late February 1937. It has been speculated that the name was corrupted a